VR

IMPERMANENT EXPOSITION, 2019

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Installation – reconstruction.
By using archival photo material and video footage, a nostalgic walk through Moscow city centre is being reconstructed. These sites exist only in the memory as the city is being constantly altered and rebuilt. The “exposition” continues to grow as the memories of Moscow’s past keep on layering up the streets.

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STILL(LIVE), 2019

“Still(live) is a visual essay rooting from a research into Facetime communication. Being fascinated by the question of how real is the person on the “other side” Elizaveta Federmesser explores the physicality of one’s presence under the smooth surface of a retina screen.”

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